- #Akai midi patchbay foot control Patch
- #Akai midi patchbay foot control upgrade
- #Akai midi patchbay foot control full
- #Akai midi patchbay foot control pro
The faders’ feel and spacing were easy to move with my average-sized hands.
![akai midi patchbay foot control akai midi patchbay foot control](https://images.reverb.com/image/upload/s--r2iXvopJ--/f_auto,t_large/v1598488974/kfwqv7dtiwpltvxjsanw.jpg)
The DPS24’s 12 faders and stereo master fader - all 100mm, touch-sensitive motorized units - are recessed so that their chromed finger rests lie slightly above the console’s surface. Other cards include the IB-24LTC SMPTE reader/generator and the IB-24SCSI Ultra-Wide SCSI interface. MIDI In/Out/Thru, a single wordclock BNC connector (software-configurable as input or output) and S/PDIF (co-ax and optical) ports are also provided, as are a PS2 ASCII keyboard jack for faster data entry and USB port for computer interfacing and/or transferring project files.įour expansion slots handle various interface options: Combine the IB-24ADT 16-channel ADAT I/O card with the onboard ADAT port for a total of 24 ADAT channels. The DPS can record 20 tracks by using the 24-track Transfer mode and connecting an outboard 8-channel A/D converter to the ADAT Lightpipe in/out ports. Self-recording musicians will like the ADAT/LRC-compatible, configurable footswitch jack that offers hands-free transport operation. Plugging in my JBL LSR-28Ps powered monitors, I was set to go. Comprehensive monitoring has outputs for main or near-field studio monitors. The DPS has a digital patchbay, so any standard default configurations can be changed and stored with each session or project. I used my own mic pre/EQ/compressor chain (going directly to the A/D converter inputs) with good results, although I also liked the onboard mic preamps, which offer up to 70 dB of gain.īesides the balanced stereo bus outs, there are +4/-10dB 2-track tape returns, an assignable aux input TRS pair to play stereo sources directly into the mix and four assignable external aux send outs.
#Akai midi patchbay foot control Patch
The first four inputs have 48-volt phantom powering and balanced send/returns to patch external EQs or compressors. All inputs/outputs are balanced channel 12 also includes a ¼-inch unbalanced 1-Meg-ohm input for direct guitar recording. The DPS24 has 24 analog inputs available to the 12-fader mixer, each with an A/B switch to select between XLR combo jacks and line-only TRS jacks.
![akai midi patchbay foot control akai midi patchbay foot control](https://i5.walmartimages.com/asr/762264f9-c977-4c4b-902f-ec31ddf9c97d_1.3568326468db7db90eb6785767ca92f8.jpeg)
![akai midi patchbay foot control akai midi patchbay foot control](https://www.pitbullaudio.com/media/catalog/product/cache/2/image/1800x/040ec09b1e35df139433887a97daa66f/a/p/apc20_ortho.jpg)
#Akai midi patchbay foot control pro
Rear panels are good places to assess the potential of pro audio gear. The machine runs slightly warm to the touch (no fan required) and, with internal 60GB hard drive, the DPS24 is quiet enough for acoustical recording right alongside it. The steel-cased DPS24 is solidly built and sized perfectly for desktops, with a compact 28×22-inch footprint.
#Akai midi patchbay foot control upgrade
2.0 upgrade for 2003 will support 5.1 surround mixing using the main, near-field and stereo outputs. At press time, Akai had released Version 1.40 software, which adds dedicated SRC and dithered bit reduction and enhanced ak.sys support with onscreen editing. WAV file import and export to support file sharing with other systems. Software revisions slated for future release include enhanced PC/Mac connectivity.
#Akai midi patchbay foot control full
The current Version 1.3 operating system accommodates an external PC to display a large color main screen with full metering, track/waveform view and more. Fully 96kHz native, the DPS covers all production steps from live multitrack recording to overdubs, editing, mixdown, mastering and final CD burning.Īmenities include professional analog and digital I/O a fully automated, layer-switched, 46-channel digital mixer a hard disk recorder/editor using uncompressed 16/24-bit linear resolution with up to 96kHz sampling (the number of tracks is halved at 96 kHz) and an adjustable, tilt-up 320×240 grayscale LCD screen to monitor/control all functions. The DPS24 is a standalone 24-track/24-bit recording/editing system with an intuitive interface specifically designed to produce and master music projects. Akai Professional’s DPS24 builds on the company’s DPS12 and DPS16 workstations with a lot of genetic material borrowed from its high-end post-production DAWs.